Andrew’s review published on Letterboxd:
Ideal trash/art blend, like if ages was more sadistic. After growing increasingly skeptical about Guadagnino, this won me back over: no phony intellectualism, just vulgarity and a script that feels like what people were pretending Past Livezzzz was in its moral whiplashes. (Color me completely unsurprised that the inspiration for a guy who wrote a book called Boner has a more distinctive authorial personality than the woman who wrote herself as a Mary Sue who wants to win a Pulitzer.)
I feel like the sex in this movie can’t have been that good since you’re not supposed to stick the balls in the hole? They’re ittedly CGI…