Denis Villeneuve’s Dune: Part Two is one of the biggest movies I have ever seen. In scope, in scale, in ambition; in the enormity of its images, in the amount of story it tells, in the number of bodies on screen; in the sheer volume and impact of its sound design and music, and in the number of ideas on its mind; in the way the entire production exponentially escalates like a freight train gaining speed towards the mouth of Hell. It may be the ‘biggest’ big-budget Hollywood production since The Return of the King, and almost certainly the most ambitious and accomplished adaptation of a seemingly ‘unfilmable’ novel since Peter Jackson took up the task of translating Tolkien.

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