From Jonathan Majors to Nicole Holofcener, these are the films and filmmakers we’re most excited to see at this year’s hybrid Sundance Film Festival.

While nothing could budge Everything Everywhere All at Once from the top spot, your highest rated and most popular films of 2022 also featured many more enormously spectacular and wholeheartedly human delights. 

The Letterboxd crew reminisces about our favorite first watches of 2022—from Argento to Avatar.

The Letterboxd data went haywire when Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles took the top spot on the new Sight and Sound poll last week. Gemma Gracewood looks at some of the many newly logged reviews of Chantal Akerman’s 1975 masterpiece. 

Moonage Daydream director Brett Morgen talks about clawing his way out of a pit to finish his cinematic ode to David Bowie, and learning to be happy with imperfection. 

Donkeys, puppets, conductors, oh my! Our globe-trotting festival squad brings you the highlights of the jam-packed fall season.

As Journal turns one, editor in chief Gemma Gracewood revisits favorite interviews and long-reads and teases some future treats.

Horrorville editor Brett Petersel invites the Letterboxd crew to revisit their favorite classic and current first-time horror watches of 2022.

As TÁR strides into wide release, we Todd Field, Cate Blanchett and their collaborators on the red carpet to unpack the unraveling story of a fictional great. 

In our latest Magic Hour conversation, Ruben Östlund superfan Jim Cummings interrogates the Triangle of Sadness filmmaker about his openness to ideas from others, seasickness on set and how to disgust an audience.

What can you expect from the most unexpected film festival event of the year? As our crew prepares to party with Park Chan-wook, we attempt to predict some highlights of Austin’s annual Fantastic Fest. 

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