Sure, The Wrong Missy, okay. On the other hand, there are plenty of interesting indie films available for VOD and virtual screenings right now that haven’t necessarily had the benefit of studio backing, big stars, film festivals, red carpets or other ‘normal-circumstances’ coverage to build word-of-mouth.

So, because these are abnormal circumstances, we sent our West Coast editor Dominic Corry on a hunt through your recent reviews to find ten under-seen but enthusiastically received indies that you can rent today.

Thanks to our partnership with JustWatch, you can find availability details on each film’s Letterboxd page—and Dominic has also helpfully provided further links to make it that much easier to these indie films.

Powerbomb

Directed by R. Zachary Shildwachter and B.J. Colangelo

Starring Matt Capiccioni (better known Matt Cross, or M-Dogg 20, or Son of Havoc) as an up-and-coming wrestling star, and Wes Allen as the obsessive fan who kidnaps him, Powerbomb is “according to Dustin Baker. “Luckily, there’s some witty writing and good performances to back up that concept to create something that’s surprisingly a lot of fun.”

Don’t worry if you know nothing about wrestling, writes Justin Nordell: “As someone who has zero reference point for wrestling, this film not only made it accessible but enthralling!”

A guide to where you can watch Powerbomb can be found on the film’s website.

Arkansas

Directed by Clark Duke

Quietly ubiquitous comedic actor Clark Duke (Chainsaw Massacre “loved nearly every minute of this deliberately paced descendant of Tarantino and the Coen brothers. [But] comparing it to those […] filmmakers does it a disservice though, because, while you can feel their influence, first-time director Clark Duke does have his own distinct style”.

Ella Kemp The Assistant for Letterboxd. The film’s official website lists various VOD options.

Capital in the Twenty-First Century

Directed by Justin Pemberton

French economist Thomas Piketty’s 2013 book about income equality forms the basis of this documentary, which takes on a new pertinence in the coronavirus era.

“It’s a sobering trip,” Capital in the Twenty-First Century presents a thesis that seems to indicate that if we don’t course correct, we will see a further divide and evaporation of the middle-class.”

Michael agrees: “Very clearly and lucidly explains why we’re fucked if we don’t start regulating capital.” Eep.

Rent the film here.

The 1991 biosphere experiment—in which a group of people sealed themselves off from the world (hey!) to investigate human self-sustainability—is the subject of this documentary, which, like Capital in the Twenty-First Century, also hits a little different in the current moment.

Kellyabailey is on board: “I’m fuckin inspired, man. I wanna see what I’m capable of and finally start that commune I’ve been dreaming up.”

Smooz was impressed with how the film didn’t make fun of its subjects: “It’s rare for a documentarian […] dealing with kooks to produce a movie with any sort of empathy. This movie takes the kooks involved in one of the kookiest, most ridiculed projects in recent decades and honestly shows their successes, visionary moments, shortcomings, and failures while resisting the urge to dunk on them and give them swirlies.”

Letterboxd editor-in-chief Gemma Gracewood spoke to Wolf about his film—and what movies he’d choose to take with into a biosphere—in this interview. Rent the movie here.

Aren’t You Happy

Directed by Susanne Heinrich

Those in the mood for something different might do well to check out this aesthetically bold German film—think Taxi Driver—following a young woman named Mädchen (Marie Rathscheck) through various strange encounters.

Arvid Schmiedehausen says it “might be the most artistic film I have ever watched. It is highly ambitious in its attempts to deconstruct society and western values through fourteen episodes, with each being a persiflage on one unique aspect of it”. [We had to look up “persiflage” too.]

Ian A. Chapman writes that “not in anyway adhering to convention, Aren’t You Happy melancholically meanders through rendezvous allowing time for delicious dialogue. Visually pleasing, the colour choices neatly frame the scenes and set the tones allowing for a shorthand into the vibe”.

Rent the movie here.