321w3b

I watched it to follow the plot, which is Shriya Saran 😌.

വരുത്തെന്റോപ്പം ഒളിച്ചു ചാടിയ തങ്കമ്മേ
നിന്റെ പരക്കം പാച്ചിലിനൊടുക്കം കിട്ട്യോടീ തങ്കമ്മേ!

My 2025 resolution—starting now—is to become Mullankolli Chandhrappan and welcome problems with a cooling glass.

When the Njerippu gang meets Angamali le Piller, the mission is to learn how to breakdance.

This is Mollywood 's butterfly effect, and likely every department, and half of it managed by Puthrettan, has gone butterfly on this one because once a sage mentioned that butterflies are mentally mental; so is Puthren and his rare phenomenon, Premam!

Huh, the first two sequels explored the psyche more, but this one focused on penis size—like, what the hell? This follow-up is top-tier nonsense; it features a male hypocrite inflating his self-esteem more often than satisfying himself—in summary.

The writing was politically harsh, yet in its execution, the creators ventured into areas that seemed dull and unclear. I appreciated Tovino's character because he wasn't idealized; he appeared more relatable in grappling with the monster within and how he battled the nari while out of the police uniform. In that, the creators' goals were achieved in making it cinematic. The struggle persists, and this awful regime will continue ruling, yet we have the power to educate and create change; for that, one Varghese ought to don a uniform.

Enough blood to flabbergast you; yet, is this the best addition to the greatest slasher franchise we have ever had? That’s a question that lingers with you. I mean, I had some "chath chath" moments. For me, this was the most funesh among the solemn expressions of the other entries in this legendary franchise.

I solely viewed "Geeli Pucchi" and "Ankahi," and all I could do was gaze at it with tears in my eyes—truly beautiful.

Sharafudheen was unreal; it feels as though he actually swapped bodies with Suraj. No, he injected Suraj into his veins. The humor unfolded effortlessly; everything progressed smoothly as he bore the entire film on his shoulders, making it a fun, light watch popcorn flick.

It seemed as if I were viewing a Mountain Dew commercial; I could observe every hue bursting forth from the display. Unattractive colors, poor VFX, and what is Jr. NTR up to? It seemed as if he was on a quest alongside Mahesh Babu to discover how to refrain from acting while performing “Naatu Naatu.” That's all he can do.

I gazed at the clouds today and noticed the Earth's movement; I sensed it, similar to how I grow each day. This film serves as an invitation to connect with nature and invite love until you fully take it in, allowing it to eventually embrace you in return.

Paalilu vellam ozhichapole oru padam, a tholinja parody, ventured into waters that challenge your tolerance and prompt you to consider if these individuals appreciate the culture or ridicule it. Regardless, Bollywood began to see an abundance of memes, most likely resting on it to get some reference to the South.

Shane Nigam rushed to change the masks that men wore across various generations. They first with "Parayuvaan ithadyamaayi varikal maaye" was typical of men waiting for some action, and she responded by raising the middle finger—classic cinema.

I perceive beauty that scorches my eyes and elevates my anxiety when Ernesto goes into silly mode with the light; after all, it's a Gaspar Noé film and a lecture on art, and who would have thought of receiving a homage about art from my man?

I have never envisioned God wearing a bathrobe, but I do imagine Him being a Myren, and guess what? It's true!

Santhosh Sivan, a bouquet of talent, has not missed a single shot or frame that fails to enhance the screenplay. Each shot adds an extra touch, while A.R. Rahman's music serves as the frosting that envelops the coarse, unfinished cake that ultimately appears somewhat rushed in its creation.

I was more in favor of the inventive concepts and filming techniques employed in this Maheshinte Prathikaram 144p, which is less imaginative in its script yet effectively carried out

The Anderson trend in a delightful satirical depiction of life that spiraled out of control

When life is Haniya Nafisa vibing, then why be disappointed in getting lemons?

Meiyazhagan, yet the azhagu has diminished in shine. They might have noticed the light shining in this tale, as it contains genuine, touching, and uplifting moments that move you to tears; however, it all vanished when Shine Tom Chacko arrived. Next, the film embraces Shine Tom Chacko's tempo. At that exact moment, I experienced déjà vu that the film had already been followed by Shine Tom Chacko's rhythm.

Asif Ali has done it once more with Rechachithram, and now this. A character that captivates you from the very beginning all the way to the finish and offers a glimmer of hope. This was a stage arranged for him to transform into the Asif Ali we longed for, and regarding the narrative, it's an emotional journey that stirs tears in your eyes and sparks hope in your heart.

As the movie unfolds, you become acquainted with a room full of characters who appear ready to erupt at any moment. It is exquisitely crafted, reflecting the intricacies of human nature. Beautiful.

Bye life! For these two and a half cinema 's magic, you have been a hustle lately. This movie made me smile, unstoppable. Literally, right now I'm smiling. Watch this beautiful movie , and allavarum happy aayittu irikku!

Battle of sound levels, and as the tale goes, they eventually became disoriented with the script and started to produce a highly discordant listening experience where seeking a narrative is unnecessary. A new type of paasaam was unlocked by Shiva for an annoying child who constantly drives you up the wall. Surya enacts these scenes with an individual of no importance to him, as we consider Surya deliberately opting for the script, while Disha Patani's vivid bikinis seamlessly blend with the chosen hues to create a distinct atmosphere, highlighting Shiva's directorial genius.

My thoughts echoed "Kaavalaai Chekavar Undo" in relation to the heartbreaking event that took place at Fruitvale Station, underscoring the harshness of the police as they impose their version of justice while stripping away humanity. This is merely an irable introduction by Ryan Coogler.

Natalie Portman represents the height of filmmaking, and when you consider what this means, it results in average cinema. Still, I enjoyed its visual elements.

Lalettan and the police station make a biryani combo that we can't undo eating. That fight scene with Jake Bejoy on full steroids, with that thakka thakka and that Moondumadakkal, I can see it every time. There is the good, the bad, and then SI George, who is nothing but a sham, in comparison to Marco Jr., who is not ashamed of using someone else's bathroom.

At last, Marvel has returned; nonetheless, I discovered them in their worst state since a movie was made about me. It was an extremely moving film that brought me to tears and a funny movie that motivated me to dive right in. I yearn for Florence Pugh to be present to hold me-peak Marvel cinema from Martin Scorsese, 144p.

As an irer of Suriya who has dedicated years to appreciating his movies, this includes all that I have wished for over the years. At times I ponder, "Is this really essential?" However, that notion is overshadowed, since this is a Karthik Subbaraj film. It mainly concerns the downfall of all patriarchal powers trying to mislead us in the name of politics. Similar to all elements, it strikes back at us, as we do not bow to anyone. This embodies the peak of cinema—flawed in Karthik's search for Karthik, yet remains the peak.

We might have gotten a challengerism from this lost chance; yet, the film sparkles with plenty of nostalgia. I was probably around 10 years old when I first saw this movie, which made it somewhat nostalgic.

Khalidh Rahman is currently going through the phase of unda illa oru andiyum illa-peak cinema period.

Select activities that offer excitement through your ions, rather than focusing your entire life on marijuana or similar pursuits, which only lead to despair and deterioration.

Ps: Chorundu padam pidiyeda!!

An endearing, lovable journey for a car that bursts with the cuteness Mipal can throw at you—a slapstick ❌, cutestick ✅ film.

Do you prefer being Makhmalbaf or Sabzian ?

I prefer Makhmalbaf, the dreamer who kept dreaming about cinema while his life was falling apart, and I will definitely end up as Sabzian, who let his love for cinema destroy his life.

Cinema is delightful, much like Karthik Subbaraj's charming belly; I truly want to kiss it for gifting this.

Imitiaz Ali's quest for a mended heart through another's shattered one is a theme we all desire, but it has now taken a different turn that is un-imitiaz ali. It resembles Imitiaz Ali returning repeatedly, providing comebacks every 30 minutes. In the midst, everything is imperfect, and it seems like we, the viewers, are looking for Imitiaz Ali.

This was a whirlwind of excitement, nostalgia, and an emotional journey that transported me to memories of the classic Pookie A10 next door, along with that Moondumadakkal. Tharun Moorthy has embraced the position of an outstanding director and storyteller, and this is truly a magnificent journey you led me through. Listening to his stories, which are deeply hidden, has become my favorite category. This was nothing short of remarkable; the way human beings are grounded and their depth was deeply examined through Lalettan.

If "They say that love can change a man. I begin to find myself looking better and more charming, and suddenly I discover that I'm turning blonde" is a film, then Dev D is my Roman Empire; instead of turning blonde, my man has hepatitis.

First of all, I regret giving this movie 4 stars. It only gets problematic when Kubo single-handedly solves a case with Naranga. And at the tail end, he took on the villain's disguise by perakkya. And that too, villain Marnnu Parrayan Polum Pattathavar, Kurippukkalkku only had one job—MDMA nnu parranju glucose vallikkya, choodathu hoodie edaa, and pub nnu parranju ardeyokkeyo birthday party kku pova. This movie could be the first movie ever to show villainism in a subtle, lighthearted way. Choorukki parranja motham problematic aanu and climax lu priyamani de vakka Thanks Vereyum. Before Kubo turns into a Mathrukka Perakkya killer, why is she thanking Kubo? I mean, for being an abusive husband and a parent, climax is all Kubo became, the eccentric Kubo that the audience became bonkers in the theater just by seeing some achan am. I mean every other character is dumb, and even with Priyamani, she was waiting all this time to thank him. And her daughter, Ponnu Mwole Njangade trauma eni ninte munbil onnum aala-Ivalde trauma orthu trauma aayi.

"This is my comfort movie." - Dude, what comfort? A movie that was essentially conceived in my brain cell and evolved into a film in summary.

This cute little desperate punk sachein is me until I met my Reenu, still that makes me sachein.

An average Dhyan Sreenivasan interview does to a person, but the vibe this movie offers makes me want to live in this world forever.

This trailer was a food vlog and a glimpse of men before having a biryani, with Suriya going both 'porukki' and 'pookie.' Waiting, maamey 🛐

One of those movies I wish to savor eternally; even in this second viewing, it enthralls me with the unique atmosphere it creates, and with driver Chettan in charge, the mood is guaranteed. I really miss Mu Ri; he is a biriyani of talent and mayonnaise for M-Town.

Mental fog, utterly disoriented, top-tier shitposting from Farah Khan. Gradually beginning to value her mantra: when life is Farah-Khaning you, you Farah-Khan in return.

Three dragon meme made real, nope into reel by Omar Ikka-AJP, Arattannan, and Kok Annan. Vellatha fun thanne.

The film achieves its intended goal; however, in some ways, it was undeniably a disappointment. Nonetheless, it is propelled by strong performances, and I have a fondness for courtroom dramas. This was a delightful experience that gets better as it unfolds. Defending Sivaji's character whenever he shows up is oddly disconcerting, much like Harshavardhan—his sole purpose was to thoroughly unsettle you.

This was aesthetically pleasing, somewhat like a plate that evokes Gujarati cooking featured in the film, a meal for cinema lovers!

A style over brainrot, the most nonsensical, thala-rot-free film I have ever seen, and I hilariously enjoyed it. Ultimately, I find myself believing that the film was produced by AI; I can't tolerate the idea that a human crafted this, anthalaavukku brainrot!!

True evolution begins once you free yourself from the societal standards that shape your values and define your identity; in every aspect, this was an exceptional film that seemed to come directly from the skies. This signified a moment, a sound, as the title suggests, a star is in motion—this film is a homage to all the stars that are moving.

• The Shining
• Eyes Wide Shut
• Mathilukal
• A Short Film About Love
• Thalapathi
• Love
• Gone Girl
• Annayum Rasoolum
• 22 Female Kottayam
• The Lobster

...plus 16 more. View the full list on Letterboxd.

• Nanpakal Nerathu Mayakkam
• Rorschach
• Kaathal - The Core
• Kannur Squad
• Dominic and the Ladies' Purse
• Turbo

• The Lighthouse
• Bramayugam
• Call Me by Your Name
• GoodFellas
• Reservoir Dogs
• The Wolf of Wall Street
• The Nice Guys
• KL10 Pathu
• Meiyazhagan
• Manjummel Boys

...plus 4 more. View the full list on Letterboxd.

• Amélie
• Scott Pilgrim vs. the World
• Soodhu Kavvum
• Siva Manasula Sakthi
• Master
• Barbie
• Drive
• Her
• Lars and the Real Girl
• Punch-Drunk Love

...plus 13 more. View the full list on Letterboxd.

Movies that redefined Mollywood to Peakwood this year!

• Aattam
• Malaikottai Vaaliban
• Anweshippin Kandethum
• Premalu
• Bramayugam
• Family
• Manjummel Boys
• Anchakkallakokkan
• The Goat Life
• Aavesham

...plus 14 more. View the full list on Letterboxd.