i love stitch🩵🥹

Michael Cera and Richard Ayoade are the greatest. Been said a million times but Cera and Anderson are a match made in heaven.
For me, one of Anderson's absurdist, and that's saying something. One of the things I enjoyed the most was how slap-stick ish some of the gags were, especially with Cera.
The movie lost me in a couple ways. I didn't connect or buy into the central emotional relationship between father and estranged daughter, and its whistle-stop tour…
just having a good time, we all love that little blue troublemaker alien! 🩵
live action or not, the "ohana means family" energy still hits so hard.
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chorei muito!
eu fui com a expectativa muito baixa, mas me surpreendi muito.
mas mesmo eu tenha me divertido assistindo, é impressionante a capacidade da disney de transformar TUDO em uma grande propaganda para algum produto e entregar o tal do “sonho americano”.
o filme que antes era uma crítica a gentrificação e ao turismo no Havaí, virou uma propaganda ao que era criticado.
A longa metragem tinha um potencial imenso diante da alta demanda de produtos do stitch.…
don’t watch this in 4DX
Disappointing. Gabriel and the Entity are such unappealing villains. The submarine set piece was great, but why it took an hour plus to get there I have no idea. Takes all the unnecessary adjectives from the other films, and tops it within the first hour.
When I saw reviews complaining about the hour of exposition, I expected something like a Skyfall where we get backstory; instead this felt extremely repetitive where we went through a rogues gallery of past characters…
No one does a soundtrack quite like Scorsese.
Might be my favourite edited of his, some beautiful shots and fast paced pool that keeps it all flying through what can be a very dull sport. Cruise has cocky prick down to a T, and Newman is brilliant as part mentor, part hustler. Vulnerable yet vicious. Ego and masculinity are always studied through a variety of lenses by Scorsese.