Kyle Turner Pro

Snarkoleptic. Amateur critic. Professional snob. I'm relieved to know I'm not a golem.

Favorite films

  • Bringing Up Baby
  • s Ha
  • Eat Drink Man Woman
  • Hello, Dolly!

All
  • Next to Normal

    ★★★★

  • Mommy

    ★★★★

  • Bring Her Back

    ★★★½

  • Final Destination Bloodlines

    ★★★★

More
Next to Normal

2025

★★★★ Watched

just a few inches away from perversely brilliant, a haunted house in the suburbs where the past—and perhaps the failure of the nuclear family itself—wraps its cold, cruel fingers around all the necks who walk through. Cassie Levy gives Diane an airiness that's like the stormy weather in her head, looking for consistent stream of wind past the eye, which makes her desperate confusion and ambivalence about being "better" that much more compelling. Jack Wolfe is at once felinic and…

Mommy

2014

★★★★ Rewatched

(author's note: my intro from my Nitehawk screening)

In August 2024, Instagram started testing out a new version of their main grid design, where s’ posts appeared on their profiles. For all the platform’s history, the grid posts were square, a neat 1:1 even if the posts themselves weren’t, and now Instagram head Adam Mosseri was playing with the alchemy. “We're actually testing a vertical grid, for those of you who haven’t seen it yet, for your profile, instead of…

More
White Chicks

2004

★★★★½ 11

Me in 2009: I refuse to watch WHITE CHICKS because it has a 14% on Rotten Tomatoes and i only want to have “good” taste
Me in 2018: Film criticism is dominated by straight white male voices that shape, gender, and racialize what “good taste” is, making critical consensus the product of unequal institution, discouraging viewers to develop a critical thought that exists beyond “good” and “bad”, and WHITE CHICKS is one of the most brilliant satires of race and gender in the last fifty years

Past Lives

2023

★★ 28

tragically did not at all care for PAST LIVES. too straightforward for my taste. and Lee and Yoo have good chemistry, but not time bending, fate cracking, reality shattering chemistry. a small but totally meaningful difference, one that the film hinges and ultimately fails on.

both characters are so thin, and so banal and prosaic with their language, that such energy and chemistry is what the film predominantly relies on. But it’s simply not there.

Greta Lee is supposed to be a writer but we ever get a sense of how she relates to language a couple of times?